Cottard was first introduced to the reader when he tried to
hang himself. Later, when he was acting strangely: he was normally a reserved
individual – rarely seen with company. However, after the hanging incident he
was seen trying to get the whole population of the town to like him. As a
reader I believed that he was trying to amount a number of character witnesses,
pointing at the fact that he may be guilty of a crime. A crime so bad that he
would be willing to hang himself to escape sentencing. However, as soon as the
plague struck, his attitude, again, started to change. His attitude returned to
its original state – all previous masquerades forgotten. Previously, the
narration was so focused on the suffering of the town Cottard was not a central
focus. In this part of the novel, however, he is. He has returned to his own,
selfish habits. He no longer seems to care how many people like him (inferred
by his disinterest in joining the sanitary squads, a status that would have
gained him favor amongst the general population). He comments on how the
“plague suits [him] quite well and [he] has no reason why [he] should bother
trying to stop it” (158). He likes the plague because, as a result of it
throwing the town’s police force into extreme disarray, he was never charged
for the crime he thought he was going to be convicted of when he attempted to
hang himself. Rieux and Tarrou both manage to reach the conclusion that he is a
criminal based on his feelings towards the plague, however his crime still
remains a mystery… Further adding to the feel of “sketchiness” associated with
Cottard.
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