Rambert,
as previously described, is eager to get out of this plague-riddled town. He
however, is far from the only one. It is observed that several attempts at
escape are made nightly, and frequently end in capture and violence.
His
passion to escape Oran’s gates seems to cloud his reason; when told his case of
separation from a loved one is not uncommon, he still persists that this fact
makes his no more unimportant. He believes that his case, individually, is of
the utmost importance – failing to understand that this plague has affected
numerous people not simply him. However, after thorough investigations into
possible means of escaping the town, he has finally accepted the fact that
there is no way out. At this point in the story he falls to listlessness – the
same form that has taken over the town, however his came to him later because
he was so preoccupied with escape strategies. He takes to sitting in train
stations. He does this not out of a hope that he can board a coming train and
leave the town- for the trains have long ago been canceled- but in search of a
mental escape from the town’s confines. While seated in the train station he
would gaze upon the welcoming pictures of foreign places – particularly Paris,
his hometown- places that he was prohibited from visiting. There, in that train
station “these mental pictures killed all desire for any form of action” (110).
The observation of the pictures helps make his forced residency in Oran
bearable. However, in his observing these pictures and visiting the places
vicariously through them, he in turn embodies the desolation of the
townspeople. The situation has grown so bleak in the town that the people have
given in completely to a feeling of hopeless imprisonment. These pictures do
not serve as a motivation for a travel that they know is impossible- as they
formerly did- but rather are sufficient to carry them, mentally, away from
their plague-riddled town. As illustrated through Rambert, the residences of
the town are so desperate for an escape – but realize they are so helplessly
trapped- that even a simple picture can prove sufficient.
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